The Deposition after Caravaggio, 1600-1604
The Deposition after Caravaggio, 1600-1604
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Simon Lee Robson
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Description
An original, hand-signed acrylic on canvas artwork by Simon Lee Robson.
A large-scale study of Michelangelo Merisi da Caravaggio’s The Deposition (Deposizione) (1600-1604), also known as The Entombment of Christ. The painting portrays the somber and emotional moment of Christ's body being placed in the tomb, marked by dramatic chiaroscuro and deeply human expressions of grief and reverence.
In this original acrylic painting on cotton canvas, Robson has built the surface through 20–30 delicate scumble glazes, with varnish integrated throughout the layering process. Each layer has been meticulously applied to cultivate subtle shifts of light, depth, and atmosphere, revealing nuances that continue to evolve with the viewer’s gaze. The result is a luminous, living surface, where every glaze contributes to the painting’s singular presence and character.
Presented with gallery-wrapped cotton canvas over reclaimed timber stretchers and subtle weathering that lends a quiet sense of age and material authenticity. This understated presentation complements the collection’s dialogue with the Old Masters while the contemporary painted surface retains its clarity, depth, and refinement.
Masterpiece Studies | 2025
Key Facts
Type
Original
Edition of
Year
2013
Medium
Subject
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Features
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Acrylic on canvas
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Original artwork
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Artist supported
