Caravaggio’s works, known for their dramatic chiaroscuro and raw emotional depth, serve as a cornerstone in Robson's studies. Paintings like The Supper at Emmaus and The Entombment of Christ are reimagined with painstaking detail, retaining the powerful contrasts of light and shadow while exploring subtle variations in texture and tone. These studies are not mere copies; they are meditative exercises, revealing a profound understanding of the emotional gravity Caravaggio infused into his work. Through their brushstrokes, the artist breathes new life into Caravaggio’s depictions of divine encounters, offering viewers a renewed sense of awe and reverence.

Similarly, Robson delves into the rich, layered compositions of Sebastiano del Piombo, a master of colour and form who blended Venetian and Roman artistic traditions. Works like The Raising of Lazarus are meticulously studied, with special attention given to the nuanced interplay of colour and anatomy. Sebastiano’s ability to convey both human vulnerability and divine power inspires this contemporary artist to engage deeply with the emotional resonance of these scenes. Each canvas not only replicates Sebastiano’s meticulous craftsmanship but also highlights the enduring relevance of his spiritual themes.